Journal of European Television History and Culture is the first peer-reviewed, multi-media and open access e-journal in the field of European television history and culture. Learn More.
The history of European televisions’ commercialization is interesting and complex. In many European countries, early attempts to launch some form of private television took place on a local, national, or even supra-national basis. The process of television commercialization in Europe didn’t just start during the 1980s. Its implementation happened from the very beginning, and followed very different paths in each country. This issue on the History of Private and Commercial Television in Europe may help deepen our understanding of how the commercialization of television has shaped media culture in Europe. It offers a scholarly view on the history of private and commercial television in Europe, addressing institutional, technological, political, and cultural perspectives, and their entanglement, so as to allow for transnational comparison.
Interactive digital media have greatly affected the logics of production, exhibition and reception of non-fiction audiovisual works, leading to the emergence of a new area called “interactive and transmedia non-fiction”. One of its key points is that it can deal with factual material in such a way that it influences and transforms the real world around us. With this issue we aim to offer a scholarly perspective on the emergence of transmedia forms, their technological and aesthetic characteristics, the types of audience engagement they engender, the possibilities they create for engagement with archival content, the technological predecessors that they may or may not have emerged from, and the institutional and creative milieux in which they thrive.
During the last 15 years format research has grown into a notable, distinct field of academic investigation alongside the dramatic expansion of the trade in TV formats.
This special issue of VIEW builds on existing format scholarship to deepen our understanding of the history and the continuing growth of the TV format business from a European perspective.
News from EUscreen network
- Mon, 08 Jan 2018 13:57:18
EUscreen recommends: Copyright (and) Culture: the governance of audiovisual archives
“Copyright (and) Culture: the governance of audiovisual archives” is written by Katharine Sarikakis, Olga Kolokytha and Krisztina Rozgonyi, all working at the Department of Communications of the University of Vienna. In this paper they ask the following research question: What are the policy dynamics of copyright regulation for digital audiovisual (AV) archives in Europe and what...
- Thu, 21 Dec 2017 10:41:19
Music in Movement: an interactive guide to contemporary classical music
Music in Movement (MiM) is an interactive guide to the life and work of the greatest composers of contemporary classical music. Reusing unique archival resources it highlights the richness of European contemporary music by tracing the stories of four eminent composers: Louis Andriessen, Pierre Boulez, Arvo Pärt and Kazimierz Serocki. Personal stories offered in a...
- Tue, 19 Dec 2017 12:32:34
EUscreen celebrates: European Research Grant “European History Reloaded”
European History Reloaded: Curation and Appropriation of Digital Audiovisual Heritage (CADEAH) is the title of a programme that is awarded a three-year research grant by the EC Horizon 2020 programme JPICH Digital Heritage. The programme has been designed by a European consortium lead by Utrecht University’s Centre for TV/Screen Cultures in Transition and includes the...
- Mon, 04 Dec 2017 10:55:01
Video Collection: Musical Highlights
Rock, Jazz or the romantic songs of Serge Gainsbourg: in this video collection we show musical gems dating from 1962 to 2012. A video collection from the EUscreen Portal featuring musical highlights such as performances, interviews and the arrival of legends in different cities. Enjoy browsing through the collection and discover more on EUscreen.eu.
- Mon, 27 Nov 2017 11:46:02
EUscreen recommends: Sharing killed the AVMSD star
In the paper ‘Sharing killed the AVMSD star: the impossibility of European audiovisual media regulation in the era of the sharing economy’, Indrek Ibrus and Ulrike Rohn (Baltic Film, Media, Arts and Communication School (BFM), Tallinn University) focus on the challenges that the ‘sharing economy’ presents to the updating of the European Union’s (EU) Audiovisual...
- Wed, 22 Nov 2017 10:00:15
Learning on Screen – Audiovisual Citation Guidelines: Second Edition
Learning on Screen will publish the second edition of Audiovisual Citation Guidelines in January 2018 after the launch at Learning on Screen’s Members’ Day event on 1st December 2017. This publication sees a comprehensive overhaul of the guidelines with major additions to the new media section. These include further Games citations; and, for the first...
- Tue, 07 Nov 2017 09:54:52
Video Collection: Cities
Skylines, sights, and city life. In this video collection, you will see what Athens looked like in 1936 or Lisbon in 1960. A collection of 23 videos from the EUscreen Portal featuring 23 different cities! Enjoy browsing through the collection and discover more on EUscreen.eu. Amsterdam 1945 This holiday film follows the Hinchliff family on...
- Fri, 03 Nov 2017 10:15:30
Second Life of Heritage Collections | BAAC Annual Conference
Projects based on historical archives were the main focus of the 14th BAAC annual conference, which this year was hosted in Warsaw by the National Film Archive – Audiovisual Institute (FINA). Experts from the Baltic region and friends of the Baltic Audiovisual Archival Council (BAAC) met from 11 to 13 October in Warsaw. Here they...
- Wed, 01 Nov 2017 10:53:13
Fashionating images – Where EUscreen meets Europeana Fashion?
Adriano D’Aloia, Marie-Aude Baronian and Marco Pedroni edited a special issue of Comunicazioni Sociali, Journal of Media, Performing Arts and Cultural Studies (January-April 2017), about audiovisual media studies and fashion. The issue, called ‘Fashionating images’, tries to explore “the intersection and cross fertilization between fashion studies and media studies.” We give you a short overview...
- Wed, 25 Oct 2017 13:22:36
Disaster, Calacas, and Metadata: A FIAT/IFTA Conference Report
Not lament, but fact: TV has changed. With it, the job of broadcast archivists. “Archivists need to change”, proclaimed Matt White at the opening talks of this year’s FIAT/IFTA World conference. White produced the box office hit The Beatles: Eight Days a Week, built from crowdsourced concert footage. The question is: haven’t we, as a...